Shot work for film & episodic
Cleanup, fixes and composites delivered shot by shot — the reliable support work that keeps an edit on schedule.
Capabilities & craft
No borrowed reel. Here's what you actually get.
Zenith Global FX is a new studio. Rather than pad this page with invented credits or someone else's footage, we'd rather show you two honest things: the kinds of work we take on, and the standard we hold ourselves to. The visuals below are original abstract artwork drawn in code — clearly illustrative, never presented as client work.
What we take on
The work we're built for
Commercials & brand films
Effects, graphics and finishing for advertising, where the deadline is fixed and every version has to arrive to spec.
Product & explainer motion
Animated graphics that make a product or idea legible — built from your brand's real type, color and voice.
Titles & identities
Opening titles, end cards and moving identities designed as typography first, animation second.
Craft, illustrated
Three obsessions, drawn in code
Each board below is an original abstract study of a discipline we care about — illustrative artwork, not client frames.
Illustrative · study 01
Edges
A key is judged at the hairline. We work edges at final resolution until nothing fringes, nothing chatters, nothing gives the trick away.
Illustrative · study 02
Movement
A composite is only as good as its track. We solve motion until added elements are locked to the plate — no swim, no slide, no drift.
Illustrative · study 03
Color
A grade is a point of view held for the whole runtime. We develop the look with you first, then defend it across every cut and every screen.
The standard
What we hold ourselves to
- Reviewed at delivery quality. Shots are checked at final resolution and frame rate before you ever see them — not on a scaled-down preview.
- Scoped in writing, before work starts. You get a plain-language scope, the number of revision rounds, and a delivery date you can plan around.
- Honest about fit. If a request sits outside what we can do to our own standard, we say so at the brief — not at the deadline.
- Organized handover. Deliverables arrive named, versioned and to spec, with project files handed over as agreed.
- One point of contact. You talk to the people doing the work, at one address: studio@zenithglobalfx.org.
First conversation
Judge us on the conversation, then the frames
Send a brief — rough is fine. You'll get a straight answer about scope, timing and fit before anything is booked.